Articles and Chapters

“Ecodramaturgy and the Genesis of the EMOS Ecodrama Festival.” Critical Stages (Ecology issue - December 2022).

“Kinship and Community in Climate Change Theatre: Ecodramaturgy in Practice.” Journal of Contemporary Drama in English 10(1)(Spring 2022): 1-19.

“Climate Theatre: Enacting Possible Stories” in Cambridge Companion to Literature and Climate, Adeline Johns-Putra and Kelly Sultzback (eds). London: Cambridge U Press. (2022) p131-144.

“Circles of Relation: Performance as Activism in Salmon Is Everything,” with Marta Clifford. Western Humanities Review (2019).

“Tú eres mi otro yo ~ Staying with the Trouble: Ecodramaturgy and the AnthropoScene.” Journal of American Drama 29:2 (Spring 2017): 1-18.

“Apollo Meets the Climate Youth Movement on Indigenous Ground.” HowlRound. 1 October 2019. howlround.com.

“Radical Empathy, Embodied Pedagogy and Climate Change Theatre.” Howlround. April 2016. howlround.com.

“Stage Dialogue, and Civic Diálogos, at South Coast Rep.” American Theatre (Feb. 2015). Print.

“Indigenous Theatre in Global Times: Situated Knowledge and Ecological Communities in Salmon Is Everything and Burning Vision,” in The World a Stage: Performance on Behalf of the Environment. Richard Besel, Jnan Blau, (eds.). New York: Rowen and Littlefield Publishing Group (2014): Ch. 8. 18p. Print.

“Ecodramaturgy and/of Contemporary Women Playwrights” with Wendy Arons in Contemporary Women Playwrights, Lesley Ferris and Penny Farfan, (eds.) New York: Palgrave MacMillian (2013): p181-196. Print.

“Meditations on the Pain of Others: Theatre Squad’s Site-specific Protests.” Theatre Topics (March 2012): 23-37. Print.

“Kneading Marie Clements’ Burning Vision.” Canadian Theatre Review 144 (Fall 2010): 5-12. Print.

“Beyond Bambi: Toward a Dangerous Ecocriticism.” Theatre Topics 17:2 (September 2007): 95-110. Print.

“Toward Communicative Democracy: Developing Salmon Is Everything.” Community Performance: A Reader, Petra Kuppers and Gwen Robertson, (eds.). London: Routledge (2007): 153-154. Print.

“Remembering the Mountain: Grotowski’s Deep Ecology.” Performing Nature: Explorations in Ecology and the Arts, Gabriella Giannachi and Stewart Nigel (eds.), Bern, Switzerland: Peter Lang (2005) 345-359. Print.

“’Consequences unforeseen . . .’ in Raisin in the Sun and Caroline, or Change. ” Journal of Dramatic Theory and Criticism XX(2) (2006): 127-144. Print.

“Greening the Theatre: Taking Ecocriticism from Page to Stage.” Journal of Interdisciplinary Studies 7(1) (Fall 2005): 84-103. Print.

“The Ecology of Willy Loman.” New England Theatre Journal 14 (2004):63-76. Print.

“Frontiers: Environmental History, Ecocriticism and The Kentucky Cycle.” Journal of Dramatic Theory and Criticism XIV(1) (Fall 1999):159-178. Print.

“Bahktin on Site: Chronotopes in Theatre in the Wild’s Dragon Island.” On-Stage Studies (1999) 22:19-38. 

“(Re)Placing Lillian Hellman.” Journal of American Drama and Theatre 11(2) (1999):17-41. Print.